FashionVerbatim Newswire


Why Models?



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Besides industry insiders and nut cases like myself, nobody knows who Iselin Steiro is. Ask a girl at the mall, and she’ll likely inquire, “Is she the new girl on the O.C.?” But the growing anonymity of runway models is nothing new, or interesting, for that matter, to discuss.

Credit: Lindsay Lohan (Fashion Spot), Money (norquest.blogspirit.com) & Chloe S/S 2007 (Style.com)

What intrigues me rather, is why then, in a world where Jessica Simpson and Nicole Kidman sell more magazines than Tanya Dziahileva and Bianca Balti, do designers continue to fill their runways and ad campaigns with the “new girls”? If it’s a matter of inspiration, god knows that Mr. Lagerfeld has managed to find enough inspiration in Hollywood – think the fingerless-gloved Lindsay Lohan to the swashbucklin’ Kiera Knightley. With that same logic, it couldn’t be a matter of exclusivity driving this trend. I seem to believe that even the rich, Park Avenue women who purchase these designer duds would be equally, if not more, swayed to have that new LV bag if it were sported by a big-name celeb rather than some 17-year old Eastern European plucked from the streets of poverty and dropped onto the Prada runway (too many to name…)

So is it simply a matter of resistance to change – sort of a ‘this-is-how-we-do-it-and-this-is-how-we-will-continue-to-do-it’ thing? While Milan is as stagnant as Teri Hatcher’s forehead, I’m not convinced, since this paradigm has been well received in print fashion; When was the last time you saw a model on an American fashion magazine (Moss and Bundchen don’t count…)?

My theory? It’s two-fold, really. A mix of a self-generating tornado, which fuels fashion supremacy and the overly emotional relationship with celebrities. All it takes is for one photographer, agent, or designer to label someone an “It” girl and the chase begins to nab her for the catwalk presentation, the ad campaign, the editorial, yadda, yadda, yadda. It’s just yet another platform for designers/houses to stay ahead of the pack and reaffirm the social hierarchy in fashion. While the big, hot-name designers get the It-girls, the lesser-known, passe designers/houses are stuck with last season’s bones (literally…) and once again, peace is restored in the fashion world. Unlike with celebrities, it’s a domino-effect that can be wholly manipulated, which is why it’s preferred in an industry dominated by the big-guns.

On top of it, people are too fickle with their celebrities. Our emotional relationships have become over-developed and over-complicated as a result of their constant exposure to us. While a celebrity can inspire love and admiration, she just as easily can evoke bitterness and resentment. The name “Lindsay Lohan” , for example, will easily divide a room into hard-core fans and others whose food is regurgitated at the mere thought of her botoxed lips and pseudo-rocker Tees. Compare that to a lithe, full-lipped Unknown model from Ukraine and sometimes neutrality can be desirable.

Just another random theory of mine. Not that I’m complaining or anything. No, I’m serious.

By adrian - 11.13.06

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